Early Theatre 16.2 (2013) will be available in print and online to subscribers in December. The contents include articles and notes on medieval, tudor, and later early modern drama, and the announcement of our three prizes for best essays in vols 14 and 15. Our Issues in Review section is a particularly lively discussion of Tudor drama by five high-achieving scholars.
—Helen Ostovich
Announcement of Essay Prize Winners for volumes 14 and 15.
Articles
Procula’s Civic Body and Pilate’s Masculinity Crisis in the York Cycle’s ‘Christ Before Pilate 1: The Dream of Pilate’s Wife’
Kimberly Fonzo
Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds’ Play
Andrew J. Albin
Advertising Status and Legitimacy: or, Why Did Henry VIII’s Queens and Children Patronize Travelling Performers?
James H. Forse
Theatre and/as Witchcraft: A Reading of The Late Lancashire Witches (1634)
Charlotte A. Coffin
‘Wanton Females of All Sorts’: Spectatorship in The Antipodes
Nova Myhill
Notes
‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts
Wendy Beth Hyman
Cupid’s Grand Polititian (1657)
David McInnis
Issues in review
New Approaches to Earlier Tudor Drama
Contributing Editor: Erin E. Kelly
Introduction: Why Attend to Earlier Tudor Drama
Erin E. Kelly
John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice
Maura Giles-Watson
Ecocritical Heywood and The Play of the Weather
Jennifer L. Ailles
New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc
Laura Estill
‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama
Brett D. Hirsch
(see Early Theatre‘s website for more information)
